I was sitting in the Austrian Alps last weekend, after attending the closing ceremony of the Kitzbuhel Film Festival, and I discovered a director I had never heard of before. Or rather, I was gifted the knowledge by a man with the same name.
Gustav Deutsch.
Gustav Deutsch was an Austrian artist and director who often used his art to explore the relationship between time and movement. His series “Film ist…” is a collection of different scenes, captured at different tempos, or in reverse - a montage of emotion simply effected by the tempo and the movement.
We were sitting outside the exhibit opening of Verena Rempel, when a man I had met that day asks if I have ever heard of the film “Shirley”.
I said no.
He explained that Shirley was a film by Gustav Deutsch that brought to life 13 of the paintings of Edward Hooper.
Edward Hooper is the artist behind famous paintings like Nighthawks, Room in New York, and A Cape Cod Morning. His paintings are masterpieces of color and light, conveying the emotion of the people and the beauty of the environment with poignant singularity.
I was familiar with Edward Hoopers work. I am a fan, in fact.
But I was not ready for what I saw when I googled “Shirley: Visions of Reality” by Gustav Deutsch. At first, I thought I was looking at an animation of the paintings of Hooper. But as the tape continues to roll, i realised I was watching a cinematic recreation - a perfect recreation - of his paintings.
It is stunning. You can watch the trailer here and the full film here.
At first I was simply blown away by the dedication to recreation that Gustav displayed in bringing these paintings to life. But then I listened to the voiceovers - interpertations of what the director assumed the characters must be thinking. The voices were most often women, as women feature prominently in Hooper’s work. They are the thoughts of women around the world, in different situations. In times of change and times of contentment.
It is thoughtful, honest and … beautiful.
I was very happy to have discovered a previously unknown director that was so startlingly unique! I love learning things I didn’t know before.
But then, as I spoke with the man who mentioned Gustav at all, I began to think in a broader sense. About why and how I had never heard of this filmmaker or this film. About what is being missed in modern film history and modern filmmaking.
Looking Back To Move Forward
My conversation partner was also named Gustav (popular name in Austria) and he used to be a film history teacher. I could tell, he LOVED cinema. When he saw the joy I had in discovering this new director he began to rattle off a list of other lesser known auteurs and I could barely write them down fast enough.
I was starving for depth of information - for art cinema - for dedication of craft.
In today’s industry of box office’s and limited releases, in a world where we talk about the streaming wars like they are actually wars…
We have lost so much.
Our industry - our craft - started in a much deeper place. Directors focused less on box office potential and more on creative use of lighting. On doing things that had never been done before. Most importantly, they looked to previous masters to learn and further develop their own voices.
They incorporated the work and styles and themes of those before them to continue the conversation. The global discourse that is filmmaking.
And I am craving that.
Aren’t you?
I am a bit fed up with “names and numbers”. Famous faces against done-before story lines. And unless you actually have a degree in film history, you will no doubt be surprised to discover the pure quantity of amazing directors and writers that you have never heard of.
I want to be wowed. I want to be intrigued. I want to be jealous that a mind could be SO CREATIVE. SO DEDICATED.
I want us ALL to discover forgotten works and to consume them… for meaning.
So tell me… Who is a director I have never heard of?
Let me know in the comments.
Christine, here are a few names of directors that come to mind and you would enjoy.
Of course there is the work of Jonas Mekas, film curator, artist, whose work embraced life, friends, love and family: I think the best way to start is with this dvd "He stands in the desert counting the seconds of his life"
A clip from Mekas works
https://youtu.be/cmZTcQj2M0I?feature=shared
Another important film to me remains Jerzy Skolimowski's Moonlighting, starring Jeremy Irons in one of his best performances. To me, it's the best "social comment" film ever made.
https://www.amazon.com/Moonlighting-Blu-ray-Jeremy-Irons/dp/B083281VYP/ref=sr_1_8?crid=2KS1V3WXTSJDM&dib=eyJ2IjoiMSJ9.pd1CRkjj-DYrqwEtl-cnJsMW_ge5xgNiJiMe4WKEFneapNXqw_Pft76jPMyCoYkMzrFL-8MTanbuJJz3OSIL3k2xFHa-aTLVAMq_VMJAs_4b7lu4dfHifENlVq_wHaP7kSM93ZXqcF2gZd4AJpD6-FSvmX_yZxLSzOF0y5CcvOrk82YqhL6xPmNQY7YCCbAqbdW73Ih8m1Z5nkhr-0QTw0PWqyKRUxxkxOUVJ1YcQ9I.55JB3yyymlns0amjJ_OLkJvPnIMkFdul3M8g0KQUD-E&dib_tag=se&keywords=moonlighting&qid=1725779391&s=movies-tv&sprefix=Moonli%2Cmovies-tv-intl-ship%2C307&sr=1-8
If you enjoy the poetry of film as a pure visual form, check the films of Paradjanov
The film foundation and Martin Scorsese have just restored the breathtaking Shadows of forgotten ancestors. It should be released soon.
Thank you for the wonderful posts. I once thought that my obsession with cinema would be enough to support my work as a director: I have been misled but I am so happy to read posts like yours, which prove that there is still a love for the art of cinema within the film community worldwide.
Austria is home to this fantastic archive / DVD label called Index Films, legit deep from the experimental film side of cinematic history. Highly recommend checking them out:
sixpackfilm.com/en/index edition
As for unknown directors, no matter how obscure I tend to assume people interested in them already heard of them, but I'll take a swing with Jamin Winans, a super indie filmmakers (and DJ) I believe from Denver, who made this really cool movie called INK and is coming out with a new movie called MYTH OF MAN. He's incredibly visual, DIY, and good at managing time-bending narratives; like a pop Shane Carruth yet less popular.